Wednesday, June 22, 2011

3 Band Booking Keys

Some good band booking stuff in this post here  from Chris "Seth" Jackson who describes himself as:

" A bass guitarist and composer. ... an average musician, working a day job as a software engineer, in pursuit of fulfilling my life’s dream of being a self-sufficient musician."   Chris' aim is to "share the ups and downs of this adventure and, hopefully, find great techniques that everyone can use to achieve success in the extremely difficult world of music".

He's right about one thing, band booking can be "extremely difficult" especially when you're not sure how to approach it.

 3 keys in particular stood out for me on his post:
 

1. Prepare BEFORE trying to book by making sure you have a demo and decent online presence.

2. Crucial to be able to talk about bringing people into the venue. Building up your friend/fan base on Facebook is a great way to work on this even for bands who haven’t gigged yet.

3. Venues get so many approaches all the time it’s vital bands to hone their message to cut through “all the noise” as you say. Bands and acts that understand why they’re different, and who are able to quickly and clearly communicate this will always stand out from the crowd

Here's Chris's post and the blog is worth spending some time on overall if you're struggling for band booking inspiration

http://howtorunaband.com/2011/05/20/how-do-i-book-my-show-part-1/

More Band Booking Tips here

Thursday, May 26, 2011

Are You Too Original to Get a Band Booking?


"Isn't DIY band booking just for Covers bands?"

You may have wondered whether the same techniques for how to get gigs apply to original artists as well as covers bands.

The general answer, very definitely is "Yes".

The outline of your overall approach to
successful  band booking is the same no matter what you play.

Having taught both original and cover bands and solo artists in more than 15 countries how to fill their gig diaries I can give you some additional insights though.
 

Certainly when you're starting out, ie before you've got a name of any sort or a good fanbase you'll find:

-  There are more venues for acts who play covers material
-  You'll get a lot less private party/function and corporate work as an originals-only act

 3 tips you can draw from this as someone playing your own material are:


1. You need to get building your fanbase as early as possible in the gig-getting process. 
This will both help you persuade venues to give you that initial gig, and the more  new customers you can draw when you do play - the easier it will be to secure follow-up appearances.

Get more people to your gigs

Build your band fanbase with Social media


2. You'll have to work that little bit harder than a cover band might, to locate enough venues to target
You use all the same techniques though and as ever it's only a numbers game. Scroll down the piece below for more ideas to improve your success with band booking venues



3. You'll increase your chances of at least that first band booking at a new venue if you include a cover or two in your shows
Some acts have a hard time "swallowing their pride" to do this. Really though, name me a global superstar act who never played the odd cover or two (at least in their early days) to get the crowd into them? have a look at the info below  if your pride is choking you:

Covers and original bands

Tuesday, April 26, 2011

There's no such thing as a "Natural" Gig-Getter

In the UK they have a saying to describe someone thought of as a "natural" salesperson, someone who should be perfect for pitching their band to venues. This kind of individual is said to have the "Gift of the gab".

I'm not sure if there's an equivalent phrase in the US (anyone know?) but another suitable description for this kind of person as far as I'm concerned would be a: "Bullsh*tter".

If you're an introvert and the thought of pitching your band (or anything else for that matter) scares you, you're in good company.

Many of the hundreds of musicians around the world that I've taught to fill their gig diaries are (like me), dedicated introverts.The fact is that pitching your band is genuinely no more difficult to learn than is mastering an instrument or learning the lyrics to that new number you've never heard before.

Can you remember how intimidating that guitar, keyboard or dumkit seemed when you first tried to get any recognisable noise out of it?

Who among us are "natural" musicians? Did'nt we all have to learn from scratch?

So, there's no reason gig-getting should be any different. And it isn't.

Like most things in life, the prizes go to those most committed to their own success - not the most "naturally" gifted....

Get started band booking here

Wednesday, April 6, 2011

Could You be Your Own Band Booking Agent?

You might have seen an eye-opening  post on another site recently about how to become a band booking agent.

What amazed me was the statement about needing "very little capital (money) to start - just a stack of business cards and a simple website"

Wow.

Contrast that with the investment needed by the musicians themselves in gear and time needed to learn to play, write and rehearse.

But the writer went further. Actually, many band booking agents apparently don't  even bother to go to the "lengths" of investing in said simple website or  business cards. They still though, take a 15-30% cut of the gig fee of course....

The writer of this post says that the only"skills" that anyone needs to succeed as a band booking agent are:

1. Being a "Social butterfly" (because you need to spend time at the venues wording-up the management)
2. A love of music
3. A knack for salesmanship

In fact, many semi-pro and amateur bands have found out that:

1. You can do all your "wording-up" via the phone, newsletters and a website that gets found
2. The only music you need to love is your own
3. The ability to sell your band or act is no different from the ability to play an instrument. Most people can learn how to do it.

There are of course many great band booking agents out there and it does them no favours to suggest they don't need anything much to be able to succeed.

On the other hand, you could always learn how to do your own band booking and keep the 15-30% of your gig fee....

Here's the post I mentioned above

Sunday, March 27, 2011

How much Band Booking Crowd Banter Do You Need?

A timely reminder from a member of the audience last night that crowd banter can be overdone.

We were two songs in at a gig and the lead singer, in a bit of a wise-cracking mood, had made another comment to the crowd prior to the start of a song. Someone shouted:

"Are you comedians or musicians?  Play something else!" 

Now it will always pay you to get the crowd involved, to interact with them at your band bookings. But this guys' comment did make the point.

Sometimes, especially when you're used to getting a crowd going, you can get carried away with the audience banter side at a band booking.

As far as we were concerned last night, we adjusted the amount of chat after the comment last night and it turned out a great gig.
 

I'm a firm believer that none of the very best semi-pro bands rely on the music alone to play shows a crowd won't forget. However, you have to be on guard  to make sure you get the balance right between verbal  interaction, getting a audience member or two up on stage with you- oh, and of course playing the music....


Audience interaction article

Thursday, March 17, 2011

All Band Booking Success Starts with a Plan

"Everything Starts with a Plan"

When musicians hear the phrase "Planning" as far as band booking is concerned, often their eyes glaze over. Almost as if the idea of setting gigging goals is too much like hard work.

The truth is though that if you don't know what you want to achieve with your band or your act, you shouldn't be surprised when you end up disappointed.

If you're not playing enough gigs, if there aren't enough people at your gigs, or you don't go down as well as you want when you do play, you CAN change this from now on.

To change things though, you need to know HOW you want things to be different in the future.


In a band situation this means a discussion involving all band members.

Ask yourselves:

- Exactly how many gigs do we want to play this year?

- What's our preferred type of gig? (ie, Club, Bar, corporate,
festival etc etc)


- What do we want to achieve with these gigs?

If you're "weekend warriors" your reasons may be to get some pay-back on all the gear you've invested in or an additional income from your hobby. If you're in a band as your career you might want your gigs to build a fan base, attract band management or label interest for example.

- What prices do we want to charge?

- How far are we prepared to travel to play a gig?

- What do we consider to be a good crowd reaction when we play?


- What size of fan base do we want to build?


Once your band is able to agree answers to questions like these, you'll be able to get started on an action plan to achieve these goals. You become focused and far more likely to get what you want for your band.

If you don't ask and answer these sorts of questions about your band booking future , well, anything can happen - including nothing.

Everything does start with a plan...


Band Booking Action Plan

Saturday, February 26, 2011

9 Reasons You're not Getting Band Bookings

If you're already scratching around for the next band booking in 2011, here are 10 things you won't have in common with the busiest bands and solo artists.


1. You don't know enough venues
Selling your band for a gig is like all selling, a numbers game. The more targets you have to aim at, the more you're going to hit. To the extent that if you knew enough venues you could get some gigs no matter how bad you were or how you went about trying to get the band booking.

How many venues is enough? Well, we have around a 100 on our database although they're not all active. But, you can fill you diary for a year with less  half that amount. Much less as time goes on if you know what you're doing.

Find gigs by knowing more venues



2. You don't approach enough venues
Having a good list of target is vital of course but if you don't do anything with that list what's it worth? You've got to get out there and pitch your band. You might feel you're not a natural salesperson , that you don't have what us Brits call the "Gift of the gab". Well,  remember this. Once, you had no idea how to play a guitar, drums, keys, sing or whatever exactly it is you do onstage. If you're a driver, remember how unnatural it felt at one time to try and remember all those things you needed to do to make a car move?

If you can learn a song tab or lyrics you can easily learn what and how to say and do the things necessary to get your band booked over and over. However, not if you're not approaching venues you can't...



3. You don't approach venues in the right way
As mentioned earlier, with a long enough list of targets you'll get the odd gig no matter how you go about it. For consistent, repeat work at quality venues though you'll need to know what you're doing. The what to say when you pitch and how to say it. Doing this successfully doesn't involve phoning a gig venue up and spouting off awkwardly about your band for a several minutes before being told "NO".

Band Booking tips



4. You have too much similar competition for gigs at the venues you're targeting

If you feel this is the case, actually, you're fooling yourself. "Too much competition" , "Other bands doing the same thing as us are getting all the gigs" actually  means one of two things.  Either you don't understand what makes your band distinctive from others. Or, it actually isn't any different from other bands of the same genre who are targeting the venues. Either way, your first step is to find out more about these other bands and working out how to create a stronger, more unique identity for yourselves. This "difference" is what you'll focus on when you talk to venues. Ultimately, you'll should be able to briefly and quickly summarise reasons why any venue should chose to book your band.



5. You give up too easily when you're told "Thanks, but no thanks"
We all get rejected from time to time, no matter what we're doing. Pitching for band gigs you will be told you're not needed more often than you're welcomed for a band booking. Fact. You can either try to avoid this and hope you somehow get gigs anyway. Don't hold your breath though. Or you can do what every successful salesperson or businessperson does and realise that every "YES" made up of a lot of "no"s.

Once you're regularly pitching your band you'll get to know on average how many different venues you'll need to call you need before you get a band booking. This will keep you going through the "rejection".

Another important point about venues saying "No" though. The most successful at booking their band know that circumstances change at venues. They might be fully booked for the year with their usual roster of bands as of March, for example,  but a band can cancel a particular date leaving the venues with a sudden vacancy they need to fill.  Bands can split up suddenly, giving a venue a longer term problem. Venue management changes and the new band booker often wants something fresh. Don't give up on a venue because of one initial "thanks, but no thanks". The busiest bands stay in touch with all their targets.



6. You're online presence isn't attracting gigs
In addition to the more pro-active and direct methods of band booking bu directly approaching venues yourself - are venues coming to you? If you're website isn't attracting regular enquires about your availability from new sources then you probably need to do something to make sure you get found online more easily. Find out what search terms people are using to book bands like your in your area and have your website optimised for these.Consider a wordpress blog as part of this if you're struggling to rank highly enough for your keywords.




7. You don't cultivate a fan-base

You can say all the right things to get the band booing, turn up and play a great couple of sets but if there's no-one in the venue you'll be doing well to get a repeat booking. Put bluntly, a lousy band with a huge following will generally get asked back more often than a technically brilliant one with pull.

You need to bring hundreds of people to your gigs. Just a handful will be enough to swell many bars. You can achieve a lot more than this by using Facebook in the right way though for example.

 Facebook for bands

Bring and keep the gig crowd


8. You're missing opportunities to get more gigs while you're playing
When you're onstage does everyone in the venue know the name of the band and how they can be booked? Are you asking for multiple repeat bookings from the venue when you come offstage?



9. You don't play "Shows".
The best bands, the ones which are out all the time,  don't strum through two sets while staring at their fretboards.  You want to make an impression on a venue and the crowd. You want to keep them at the venue throughout the night - boosting takings at the bar for the venues. You don't do this by playing in the background. You do it by putting on a show, getting the crowd (no matter how small) involved in the performance. You don't need to be "natural performers" to do this. Just take a little time planning out the gig and inserting one or two little memorable moments in there. 


Stagecraft for bands