Saturday, February 26, 2011

9 Reasons You're not Getting Band Bookings

If you're already scratching around for the next band booking in 2011, here are 10 things you won't have in common with the busiest bands and solo artists.


1. You don't know enough venues
Selling your band for a gig is like all selling, a numbers game. The more targets you have to aim at, the more you're going to hit. To the extent that if you knew enough venues you could get some gigs no matter how bad you were or how you went about trying to get the band booking.

How many venues is enough? Well, we have around a 100 on our database although they're not all active. But, you can fill you diary for a year with less  half that amount. Much less as time goes on if you know what you're doing.

Find gigs by knowing more venues



2. You don't approach enough venues
Having a good list of target is vital of course but if you don't do anything with that list what's it worth? You've got to get out there and pitch your band. You might feel you're not a natural salesperson , that you don't have what us Brits call the "Gift of the gab". Well,  remember this. Once, you had no idea how to play a guitar, drums, keys, sing or whatever exactly it is you do onstage. If you're a driver, remember how unnatural it felt at one time to try and remember all those things you needed to do to make a car move?

If you can learn a song tab or lyrics you can easily learn what and how to say and do the things necessary to get your band booked over and over. However, not if you're not approaching venues you can't...



3. You don't approach venues in the right way
As mentioned earlier, with a long enough list of targets you'll get the odd gig no matter how you go about it. For consistent, repeat work at quality venues though you'll need to know what you're doing. The what to say when you pitch and how to say it. Doing this successfully doesn't involve phoning a gig venue up and spouting off awkwardly about your band for a several minutes before being told "NO".

Band Booking tips



4. You have too much similar competition for gigs at the venues you're targeting

If you feel this is the case, actually, you're fooling yourself. "Too much competition" , "Other bands doing the same thing as us are getting all the gigs" actually  means one of two things.  Either you don't understand what makes your band distinctive from others. Or, it actually isn't any different from other bands of the same genre who are targeting the venues. Either way, your first step is to find out more about these other bands and working out how to create a stronger, more unique identity for yourselves. This "difference" is what you'll focus on when you talk to venues. Ultimately, you'll should be able to briefly and quickly summarise reasons why any venue should chose to book your band.



5. You give up too easily when you're told "Thanks, but no thanks"
We all get rejected from time to time, no matter what we're doing. Pitching for band gigs you will be told you're not needed more often than you're welcomed for a band booking. Fact. You can either try to avoid this and hope you somehow get gigs anyway. Don't hold your breath though. Or you can do what every successful salesperson or businessperson does and realise that every "YES" made up of a lot of "no"s.

Once you're regularly pitching your band you'll get to know on average how many different venues you'll need to call you need before you get a band booking. This will keep you going through the "rejection".

Another important point about venues saying "No" though. The most successful at booking their band know that circumstances change at venues. They might be fully booked for the year with their usual roster of bands as of March, for example,  but a band can cancel a particular date leaving the venues with a sudden vacancy they need to fill.  Bands can split up suddenly, giving a venue a longer term problem. Venue management changes and the new band booker often wants something fresh. Don't give up on a venue because of one initial "thanks, but no thanks". The busiest bands stay in touch with all their targets.



6. You're online presence isn't attracting gigs
In addition to the more pro-active and direct methods of band booking bu directly approaching venues yourself - are venues coming to you? If you're website isn't attracting regular enquires about your availability from new sources then you probably need to do something to make sure you get found online more easily. Find out what search terms people are using to book bands like your in your area and have your website optimised for these.Consider a wordpress blog as part of this if you're struggling to rank highly enough for your keywords.




7. You don't cultivate a fan-base

You can say all the right things to get the band booing, turn up and play a great couple of sets but if there's no-one in the venue you'll be doing well to get a repeat booking. Put bluntly, a lousy band with a huge following will generally get asked back more often than a technically brilliant one with pull.

You need to bring hundreds of people to your gigs. Just a handful will be enough to swell many bars. You can achieve a lot more than this by using Facebook in the right way though for example.

 Facebook for bands

Bring and keep the gig crowd


8. You're missing opportunities to get more gigs while you're playing
When you're onstage does everyone in the venue know the name of the band and how they can be booked? Are you asking for multiple repeat bookings from the venue when you come offstage?



9. You don't play "Shows".
The best bands, the ones which are out all the time,  don't strum through two sets while staring at their fretboards.  You want to make an impression on a venue and the crowd. You want to keep them at the venue throughout the night - boosting takings at the bar for the venues. You don't do this by playing in the background. You do it by putting on a show, getting the crowd (no matter how small) involved in the performance. You don't need to be "natural performers" to do this. Just take a little time planning out the gig and inserting one or two little memorable moments in there. 


Stagecraft for bands


Friday, February 11, 2011

Should you hand over your Band Booking to Music Agents?

Not getting involved in your own band booking and handing gig-getting over to music agents can seem like the easy option for many musicians.

If you're trying to build a career for yourself as a musician, and you're successful,  the time will come when you'll  need the input of music management companies in some way, leaving you free to concentrate solely on the music.

Until that time, or if you're a "weekend warrior" playing gigs part-time, you might be best served doing your own band booking.

Here's a short video of the Gig-Getter author talking about using music agents and another link on the same topic underneath.



Music Agents & Band Booking

Friday, February 4, 2011

Some Band Booking Venues You May Not Have Though Of

The most obvious kind of venue to target for a band booking is usually somewhere established for live music. Bars, clubs, festivals etc.

Even most private function work comes from having been seen in one of these "traditional" venues.


There's a strong argument too that these places are the easiest to get a band booking because you don't have to convince the owner/booker about the merits of having live music in his venue.


Before I wrote Gig-Getter I remember reading about someone recommending funerals as a possibility for a band booking. Yes really. A bridge too far for me though I think.Having said that, how rock n roll would it be to arrange for a band to play at your own final "appearance"....


Now, on the subject of gigs in unusual places here's a brilliant post naming 20 non-traditional types of venues to consider. Not all these will appeal to everyone but what I like about this post are the further examples and videos they give.

Great stuff from a site well worth book-marking methinks....

Thursday, January 20, 2011

Should you use the Phone or Email for Band Booking?

Some bands like to turn up at a venue out of the blue armed with their demo CD to try and secure a band booking. Others post out newsletters, email or telephone to pitch themselves. Each of  these methods will work to a greater or lesser degree.

Here's an article than looks at the differences between two of the most  cost-effective ways to get a band booking at a new venue. Email or telephone.

Here's my take on using the phone for band booking
In my experience a far more reliable way to bring those band bookings in - and fast...


Anyone prefer email to the phone?


Wednesday, January 12, 2011

Stagecraft Tips For Bands and Musicians

If your gig crowd reactions suggest you need to improve your stagecraft, this might be of interest.
You can check out the new  Stagecraft for bands article  written by the author for the December issue of play Music Mag in case you haven't seen it.


This article looks in a bit of detail at the performance confidence aspect of playing gigs.

You can check for other  updates through 2011 on the main Gig-Getter band booking  articles page

Saturday, December 4, 2010

Fast & Simple Facebook Starter for More Band Bookings

If you only ever do one thing to use Facebook for band bookings here it is



Don't be put off by the reference to "Jazz", this works for any musician or band.



If you're really interested in putting the power of facebook to work as far as band booking are concerned try these as well:



Using Facebook for more Fans at your Band Booking 

Monday, November 22, 2010

Successful Band Booking by Bringing and KEEPING the Crowd

Trying to catch up with things on Sunday  I read a  band booking post which amongst it's "Top 10 Tips" talked about bringing and keeping a crowd. 

I didn't agree with everything in the post (see bottom of this piece), but those two points about the crowd got me thinking.


Certainly any band or solo artist who wants to keep the gig(ie, get asked back), should ideally be trying to take some people with them. Although not necessarily literally in the same transport as the band of course.... 

If you can't do this, how are you ever going to build a following or make a full (or part)-time living out of  your music?

You don't need to take hundreds of people. Just a handful can often be enough to swell the coffers of small venues. 

It all comes down to working on the promotion of each band booking you play. 

Letting people know you're playing somewhere and giving them reasons to turn up. 

Here's one online way:




There's more to a successful gigging act than this though. Taking your own people to a gig generally gets more difficult the further away from home you gig. 

That's where you need to know how to RETAIN the people who are already in the venue. The venue's regular gig-goers. 

When it's been a particularly successful gig at the Hard Rock for example, the venue will often refer to the fact that we kept the crowd there (and so the bar busy),- rather than brought people with us...


Achieving this boils down partly to your music of course, but overall it's all about the kind of night you give the crowd. 
Isn't having a good time what going out for the night is all about?

A lot of bands find that getting a gig crowd to talk about you and the gig you've just played for days after is usually more than the music alone. Any thoughts?



So anyhow, here's the post I was reading over the weekend